We support common professional formats — ProRes, DNxHD, H.264, and uncompressed DPX sequences for archival. For stills, we handle TIFF, PSD, and high-res JPEG. If you work with a niche codec, send us a sample and we'll confirm compatibility before you upload the full batch.
Yes. Every asset can be tagged with scene, take, camera, and roll metadata. You can also create custom collections — for example, "Night exteriors" or "Hero shots" — and share those views with your editor or colourist. The structure stays flexible, so you can adapt it to your own workflow.
Each poster, trailer cut, or still gets its own version history. You can compare two versions side by side, leave notes for the team, and promote a final version to the project page. Nothing is overwritten — older versions remain accessible in the archive.
Yes. You can invite collaborators — directors, producers, or agency partners — and assign them review permissions. They can comment directly on a frame or a timecode, and you'll see all feedback in one thread. Once everyone approves, you can lock the asset for final delivery.
You decide who sees what. Each project has its own member list, and you can set role-based permissions — view, comment, or edit. For confidential materials like contracts or budget sheets, you can restrict access to a small group and enable an optional watermark on previews.
Absolutely. Every project page has a public embed mode that strips away the management interface and shows only the curated media — trailers, stills, and credits. You can copy a simple embed code and paste it into your own site, or link directly to the showcase page.
Still have a question about your specific production workflow? Reach out to the team — we usually reply within one business day.
CineLux is a digital entertainment platform built for film productions, creative storytelling and cinematic project presentation. We manage production assets, media libraries and promotional materials for filmmakers, studios and creative teams who care about how their work is seen.
We work with independent producers, post-production houses and festival teams who need a reliable home for their footage, stills, posters and press kits. Our platform keeps every asset organised and ready for the next stage of the project.
Every project we host is treated like a release: structured folders, clear metadata, consistent naming and a presentation layer that respects the material. No clutter, no guesswork, just a clean path from rough cut to final showcase.
Our tone matches the work we support: no hype, no filler. We explain what we do, how it helps your production and what you can expect at each step. If you have a question, we answer it plainly and without delay.
From a two-person documentary crew to a studio marketing department, our tools adapt to the size of the project. We focus on the workflow around the film, so the creative team can stay on set and in the edit suite.
Key milestones from script lock to festival delivery — the editorial path of our current feature.
Every production leaves a trail of decisions, setbacks and breakthroughs. This timeline traces how CineLux grew from a two-person editing suite into a full-service creative studio — and the choices that shaped that path.
A regional tourism board asked us to produce a three-minute documentary short. We had one camera, a rented light kit and a deadline of six weeks. The film ran in local cinemas and won a small craft award — enough to convince us the model could work.
After two years of outsourcing color grading and sound mixing, we built our own post-production suite. Owning the pipeline cut turnaround times by a third and let us keep creative control over every frame before delivery.
When location shoots became impossible, we developed a remote capture workflow: field kits with calibrated monitors, cloud dailies and live director feeds. The system stayed in use after restrictions lifted because it saved travel budgets on scout days.
We stopped storing rushes on external drives and moved to a structured media library with versioned edits, searchable transcripts and approval checkpoints. Producers now pull any shot from the last six years in under a minute.
Three short films produced under our banner were selected for regional and national festivals. One took the audience award for cinematography. The recognition opened doors to co-productions with overseas partners.